Hello, I Love You, Won't You Tell Me Your Name? / Love Street

This is the original 1968 French pressing of "Hello, I Love You, Won't You Tell Me Your Name?" backed with "Love Street," issued on the Elektra Serie Fashion Disques Vogue label under catalog number INT.80136. Pressed and released in France contemporaneously with the single's wider international rollout, this copy carries the French original white and pink label configuration that distinguishes it from the UK and US pressings of the same title. It is a seven-inch 45 with a picture sleeve, and that sleeve is very much the reason collectors seek this one out.

The picture sleeve is the centerpiece of this release, and the image attached makes clear why it catches the eye. The front cover is dominated by a bold red background, with the band's name rendered in a stylized script at the top left corner. Four black-and-white portrait photographs of the band members are arranged across the upper portion of the sleeve, Jim Morrison occupying the rightmost position with his characteristic heavy-lidded gaze directed straight at the viewer. The typography for the title is large, stacked, and punchy, reading "hello, I love you, won't you tell me your name?" in white text that fills most of the central space, with "LOVE STREET" printed below in yellow. The Elektra branding appears in the upper right, alongside the Fashion and Vogue logos, making the co-release arrangement between labels immediately visible. The catalog number INT.80136 appears at the top. The overall layout is energetic but clean, typical of late-1960s European single packaging designed to compete for attention in a crowded rack. The sleeve shows light corner and edge wear consistent with a record that has been stored and handled over more than five decades, but the color retention is good and the structural integrity is solid. The label on the disc itself follows the noted white and pink configuration, which is the key identifier for collectors trying to confirm they have a true French first pressing rather than a later repress.

"Hello, I Love You" was the band's biggest commercial single in the United States, hitting number one in the summer of 1968, and its international variants generated a wide range of regional pressings across Europe and beyond. The French market pressing on INT.80136 is one of the more sought-after among those variants, primarily because of the picture sleeve, which was not universally produced across all territories. The Discogs community data reflects genuine collector interest here: 501 collectors currently have this listed and 151 have it on their want list, numbers that indicate solid demand without pushing this into the stratosphere of extreme rarity. It is findable, but it requires patience to land a copy with the sleeve in the condition grade that serious collectors expect. The white and pink label is a concrete authenticating detail, and any prospective buyer should confirm that against photos before committing.

The A-side needs no introduction, but the B-side pairing with "Love Street" is well chosen. That song, with its gentler, almost pastoral mood, provides a strong contrast that makes for a well-balanced single. Both tracks originate from the Waiting for the Sun sessions and represent the band at a commercially polished peak. French pressings from this era often carry subtle sonic differences from their American counterparts, and collectors with the means to compare often find the European lacquer cuts worth the effort.

If you are tracking down the full range of international single variants from this period, it is worth cross-referencing with other French and European releases in the DoorsInfo catalog. The Light My Fire / Take It As It Comes / The Crystal Ship French-market single and the Touch Me / Wild Child pressing are natural companions in a focused European singles collection. For a broader survey of what the band released across formats, The Doors Box Set Part 1 and The Doors Box Set Part 2 provide useful reference context. The You Make Me Real / Peace Frog single is another worthwhile comparison point for collectors building out a regional pressing library.

This French INT.80136 pressing with picture sleeve is a legitimate collectible from the original release year, with enough community interest to confirm its standing without inflating expectations. It is not an impossible find, but a clean copy with the sleeve intact and the correct white and pink label will require some searching and a fair market price. For anyone assembling a serious international singles collection focused on The Doors' 1968 commercial peak, this one earns its place on the shelf without argument.