About The Doors

Origins

The Doors formed in Los Angeles in 1965, when Jim Morrison and Ray Manzarek — both film students at UCLA — ran into each other on Venice Beach. Morrison had been writing poetry and, according to the oft-told story, sang a few lines of a new song called “Moonlight Drive” on the spot. Manzarek, already playing in a band with his brothers, recognized something worth building around and proposed they start a group together. The name came from Aldous Huxley’s The Doors of Perception, itself drawn from a line of William Blake’s: “If the doors of perception were cleansed, everything would appear to man as it is, infinite.”

The lineup filled out later that year through Manzarek’s connections at the Maharishi’s meditation classes, where he met drummer John Densmore, who in turn brought in guitarist Robby Krieger. With no bassist, Manzarek instead played bass lines on a keyboard bass alongside his organ — a workaround that became a defining part of the band’s sound rather than a limitation.

Sound and Influences

The Doors drew from an unusually wide range of sources for a mid-1960s rock band: Chicago blues and R&B, modal jazz, flamenco and Indian classical guitar technique, cabaret and show tunes, and Morrison’s own literary touchstones — Beat poetry, Rimbaud, Nietzsche, and Blake among them. Manzarek’s classical piano training and Krieger’s flamenco-influenced fingerpicking gave the band a texture that stood apart from the guitar-driven rock of the era, while Densmore’s jazz background shaped the loose, swinging feel behind even their most menacing material. That combination let songs move between pop hooks, extended improvisation, and theatrical, spoken-word passages, often within the same track.

Breakthrough

After being turned down by Columbia Records, the band signed with Elektra Records in 1966 and released their self-titled debut album in January 1967. The first single, “Break On Through (To the Other Side),” made little chart impact, but the album’s centerpiece — Krieger’s “Light My Fire” — became a phenomenon once an edit trimmed the track from its nearly seven-minute album length down to under three minutes. That summer it reached number one on the Billboard Hot 100, and The Doors went from a Sunset Strip club act to a national headline act within a matter of months.

The Albums, 1967–1971

Morrison, Manzarek, Krieger, and Densmore recorded six studio albums together before Morrison’s death, each one shifting the band’s sound while staying recognizably theirs:

• The Doors (January 1967) — the debut, built around “Light My Fire” and the extended closer “The End.”
• Strange Days (October 1967) — recorded largely alongside the debut, darker and more atmospheric.
• Waiting for the Sun (July 1968) — the band’s only album to reach number one on the Billboard 200, led by the single “Hello, I Love You.”
• The Soft Parade (July 1969) — the first Doors album with songs credited to individual members rather than the group as a whole, and the first to bring in horns and strings.
• Morrison Hotel (February 1970) — a deliberate return to blues-driven rock after the more orchestrated Soft Parade.
• L.A. Woman (April 1971) — the last album recorded with Morrison, featuring the title track and “Riders on the Storm,” released just months before his death.

Browse the full album catalog for track listings and details on each release.

Provocation and the Miami Incident

The Doors’ live shows grew increasingly unpredictable as the band’s fame grew, and Morrison’s confrontational stage persona repeatedly put the band at odds with promoters and local authorities. Matters came to a head on March 1, 1969, at the Dinner Key Auditorium in Coconut Grove, Florida, where Morrison’s onstage conduct led to his arrest days later on a felony charge of lewd behavior along with several misdemeanor counts. A Miami jury acquitted him of the felony in 1970 but convicted him of indecent exposure and profanity, and he was sentenced to six months of hard labor and a $500 fine. Morrison remained free while the conviction was under appeal and died before it was resolved; in December 2010, Florida Governor Charlie Crist posthumously pardoned him.

The End of an Era

In March 1971, Morrison relocated to Paris, largely to step back from music and focus on writing. He was found dead in his apartment bathtub on July 3, 1971, at age 27; the official cause was listed as heart failure, though no autopsy was performed. He was buried on July 7 at Père Lachaise Cemetery, where his grave remains a pilgrimage site to this day.

Manzarek, Krieger, and Densmore chose to continue as a trio rather than replace their frontman, sharing vocal duties across two further albums, Other Voices (1971) and Full Circle (1972), before disbanding in 1973.

Legacy

The Doors were active for barely five years with their original lineup, yet their catalog has sold more than 100 million records worldwide — over 36 million in the United States alone — and they were the first American band to notch eight consecutive RIAA-certified Gold or Platinum albums. The band was inducted into the Rock and Roll Hall of Fame in 1993, inducted by Pearl Jam’s Eddie Vedder, and in 2014 the Library of Congress selected their debut album for preservation in the National Recording Registry. Rolling Stone has ranked The Doors 41st on its list of the 100 Greatest Artists of All Time, and their fusion of blues, jazz, and literary ambition — along with Morrison’s template for the confrontational rock frontman — went on to shape acts from Patti Smith and Iggy Pop to U2 and Pearl Jam.

The Band

Jim Morrison — vocals, lyrics. The band’s frontman and primary lyricist, known for his baritone voice and confrontational stage presence, who brought a poet’s sensibility to rock performance.

Ray Manzarek — keyboards, keyboard bass. A classically trained pianist who co-founded the band with Morrison and covered the bass parts on keyboard, giving The Doors their distinctive bass-less sound.

Robby Krieger — guitar. A flamenco- and Indian-classical-influenced guitarist who wrote or co-wrote several of the band’s biggest hits, including “Light My Fire.”

John Densmore — drums. A jazz-trained drummer whose fluid, dynamic playing gave the band room to move between delicate and explosive within a single song.

Dedicated pages for each member — with full biographies, discography contributions, and more — are coming soon.