Discography

Album

Jim's Alive: The Ultimate Seattle Tapesyellow

1994 · CD · Tuff Bites

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THEDOORS
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Released
1994-01-01
Origin
Luxemburg
Format
CD
Label
Tuff Bites
Catalog #
TB.94.1009
Country
Luxemburg

About This Album

Jim's Alive: The Ultimate Seattle Tapes, catalog number TB.94.1009, is a 1994 Luxembourg pressing on the bootleg label Tuff Bites. This is the yellow variant, identified by the yellow leopard print on the disc itself, and it sits directly alongside the orange leopard-print sibling in any serious Doors bootleg collection. Artist credit variation also exists across pressings: some copies read "Doors" and others read "The Doors." Buyers chasing a specific credit should confirm before purchase, as the difference is printed on both the disc and packaging.


The digipak format sets this release apart from the jewel-case boots that dominated the early-1990s Luxembourg bootleg market. The outer shell is a glossy, single-fold paper digipak, and copies that have been stored carefully present remarkably well after three decades. The seams hold, the gloss retains its sheen, and the overall construction was clearly a step above what Tuff Bites needed to bother with for a boot of this era. They bothered, and it shows.


The front panel carries a color caricature illustration of all four Doors rendered in an exaggerated, almost comic-book style. Jim Morrison dominates the right side of the image, drawn with heavy-lidded eyes and his characteristic thick hair. Robby Krieger, Ray Manzarek, and John Densmore are arranged to his left, each given similar caricature treatment with recognizable facial features. The illustration has a warm, slightly painterly quality; earthy browns and muted blues fill the background, framing the band against what reads as a stylized doorway or dark rectangular shape. It is a subtle visual nod to the band's name without being heavy-handed. "DOORS" appears at the top of the cover in large, clean lettering, no "The" preceding it. The glossy digipak surface gives the artwork a finished, intentional appearance that outclasses the average mid-1990s boot. No inserts or booklets are included beyond the digipak panels themselves; track information is printed on the interior. The yellow leopard-print disc is the immediate identifier for this variant: bold, graphic, and instantly distinguishable from the orange version when both are in hand. Collectors who care about presentation will find this one of the more complete-feeling Luxembourg boots of the period.


The source is the full concert recorded at Center Coliseum in Seattle on June 5, 1970, placing it among the final documented Doors performances before Morrison's death the following July. The nine-track sequence opens with "Hitler" (listed on Discogs as "Hitler Poem"), moves through catalog staples including "Roadhouse Blues," "Backdoor Man," "When The Music's Over," and "Five To One," and closes with "Break On Through." The Train Jam segments in tracks six and seven are where the set opens up: Train Jam I folds in "People Get Ready" and "Baby Please Don't Go," while Train Jam II incorporates "Mistery Train" (the Discogs entry reflects the label's own spelling) and "Crossroads." These extended improvisational sequences give the recording a loose, searching quality that contrasts sharply with the precision of the studio catalog, such as the material on Waiting For The Sun, and document a band pushing outward in its final months.


Sound quality on TB.94.1009 is strong for a 1970 live source. The existing collector consensus holds it as one of the better-circulating audio documents of this particular concert, and that assessment is fair. The recording has presence and clarity that many contemporary boots of Seattle-era material lack. Collectors building a comprehensive picture of the band's late live work will want this alongside earlier 1969 performance documents for comparison. On Discogs, 95 collectors currently list this title and 19 have it on their want list, which places it in a findable-but-requires-patience range. The yellow variant specifically surfaces periodically in European boot markets and through online sales, though confirming the leopard print color from listing photos can be inconsistent depending on scan quality.


TB.94.1009 in the yellow leopard-print configuration is a legitimate collector's item for anyone focused on The Doors' 1970 live recordings. The Tuff Bites Luxembourg pressing delivers strong source audio in a well-produced glossy digipak, and the variant-specific disc print gives it a clear identity within a release that exists in at least two distinct versions. Confirm the leopard print color and artist credit wording from the seller before buying if variant accuracy matters. Recommended without hesitation for serious Doors bootleg collectors with a focus on the band's final touring period.

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Tracks

  1. 1Hitler2:22
  2. 2Roadhouse Blues4:52
  3. 3Backdoor Man7:28
  4. 4When The Music's Over20:05
  5. 5Someday Soon4:17
  6. 6Train Jam/People Get Ready/Baby Please Don't Go7:14
  7. 7Train Jam II/Mystery Train/Crossroads20:17
  8. 8Five To One6:02
  9. 9Break on Through5:19
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