In Concert

The German pressing of The Doors In Concert, released on Elektra catalog number 7559-61082-2 on May 17, 1991, is a two-disc CD set manufactured and distributed for the European market. This specific variant is identified by its Germany/Europe origin on Discogs and carries the standard Elektra Asylum imprint of the period. It sits alongside several regional pressings of the same title, so the catalog number is your primary anchor when sourcing this edition.

The two-disc jewel case presentation is typical of early 1990s Elektra production standards, which were solid without being exceptional. The outer front panel carries a photograph-heavy design consistent with the band's catalog aesthetic from this era, presenting a moody, high-contrast image that fits the live context of the recordings. The spine clearly prints the catalog number and Elektra branding in the serif-adjacent style common to European pressings of the period. Inside, the tray card and booklet follow a clean layout with session and venue information, personnel credits, and production notes. The booklet is a multi-page insert rather than a throwaway single sheet, which is appropriate given the scope of the release spanning two full discs and material drawn from multiple concerts across several cities and years. The disc faces themselves are labeled simply, differentiating Disc One and Disc Two with minimal graphic ornamentation, consistent with the utilitarian European CD production of the time. The mastering credit noted in the liner documentation references remastering from the original master tapes, and the sonic result across both discs reflects that care: the low end on tracks like Roadhouse Blues has more presence than earlier live compilations, and Morrison's vocal is positioned clearly in the mix without the congestion that plagued some earlier live releases. The pressing quality on this German variant is generally regarded among collectors as clean and free of the surface noise that occasionally showed up on budget-region pressings of the same title. The booklet's text includes venue and recording location details, which adds genuine reference value for anyone cross-checking performances against the earlier Alive She Cried or Absolutely Live source albums.

In Concert was compiled from live recordings spanning 1968 to 1970, captured in Los Angeles, New York, Boston, Philadelphia, Pittsburgh, Detroit, and Copenhagen. The material was mixed at Elektra Sound Recorders, Oceanway Recorders, Cherokee Studios, and Digital Magnetics, all in Los Angeles, with mastering at Digital Magnetics as well. The majority of the performances here previously appeared on Absolutely Live, Alive She Cried, and the bootleg-adjacent An American Prayer adjacent live sets, but the critical distinction is the inclusion of The End, which at the time of this release had not appeared on any official Doors live record. That one track alone made this a meaningful acquisition in 1991, and it remains the editorial centerpiece of the set. The full Celebration of the Lizard medley spread across Disc One is another anchor moment, presenting Morrison at his most theatrical in a live setting. For collectors cross-referencing the Hollywood Bowl recordings, the Live At The Hollywood Bowl release covers different ground entirely, and the two sets complement rather than duplicate each other. The inclusion of Gloria and Little Red Rooster gives the second disc a rawer, blues-forward character that connects back to the band's roots, not unlike the energy captured on the debut The Doors LP. On Discogs, this specific European pressing carries a community count of 3,233 collectors owning it and 92 wanting it, which puts it firmly in the "common but desirable" category rather than the rare variant tier. It is widely available in the secondary market, which makes condition and price the deciding factors for most buyers. The remaster is noticeably better than the flat transfers on earlier live Doors CDs, and Light My Fire in particular benefits from the added low-frequency clarity. Anyone building a complete live Doors collection will want this alongside the Hollywood Bowl variants to cover the band's full documented concert range.

This German pressing of In Concert (7559-61082-2) is a solid, readily available addition to any serious Doors live collection. The primary draw remains the first official release of a live The End, and the remastered audio holds up well. Condition-grade examples can be found without difficulty, and the price point typically stays reasonable. It is not a pressing you would chase down for rarity, but it is one you should own for completeness and sound quality.